It’s the first piece I’ve finished that actually LOOKS like proper jewelry someone would buy. It looks worn because it is, I haven’t taken it off since I finished it yesterday hahah
It started life as 5 pennies. I like the permanence of overbuilt things, so the shank is staying too thick. The alexanderite is synthetic, and honestly a pretty sub-par cut. But it wouldn’t have fit in the head if it wasn’t abnormally shallow, so I can’t really complain.
The mechanics of it are rather interesting! It’s actually tiny bits of copper rubbing off and getting embedded in your skin, where the moisture causes them to quickly patina from orange, to brown, to green. The same thing happens when you do a lot of grinding or filing on copper; your hands get covered with bright copper dust, and then maybe an hour later they’re a sickly green.
Skin acidity has something to do with it as well, I know folks who have little to no reaction meanwhile half my finger is green when I wear these to bed.
Ahh, I figured. Modern ones melt funny with all that zinc.
I have heard of putting a layer of clear nail polish on the surfaces that touch the fingers to counter the staining. Never tried it myself though. At the time we had silver to work with, so I used that after practicing with copper and brass.
Funnily enough we have all the equipment for in house lost wax casting, including a homemade centrifuge (housed in a trashcan), and the ONE thing keeping that off the table currently is the fancy industrial furnace and it’s cheap, faulty thermostat. It’s one of the newest machines in the store and simultaneously the least functional.
We’ve got an engraver from the 40s, hand tools from the 30s, and a ring bender that I can’t get a date on, but it’s at least 100 years old. We’ve got jury-rigged setups that have outlived the man who hastily constructed them, meanwhile the BRAND NEW, PRODUCTION FURNACE is inoperable.