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  • It is far more convenient to pirate than to buy media legally, due to the extreme and purposeful fragmentation of streaming services and their constantly changing libraries. If you want people to pirate less, make your service(s) competitive.

    • Not just competitive but available without platform limitations and special streaming contracts. Sports is the only thing keeping traditional cable alive and also drives digital TV subscriptions. The rest of the crap on TV is trash. Even then, it should always be on demand without restrictions. And blackout areas.

  • This is the best summary I could come up with:


    During CinemaCon in Las Vegas, MPA CEO Charles Rivkin announced that the organization plans on working with Congress to pass rules blocking websites with pirated content.

    The MPA is a trade association representing Hollywood studios, including Paramount, Sony, Universal, and Disney (it’s also behind the ratings board that gives you an R if you say curse words too often).

    In his speech on Tuesday, Rivkin highlights what a major problem piracy in the US has become, saying it costs “hundreds of thousands of jobs” and “more than one billion in theatrical ticket sales.”

    He adds that the ideal process would allow creatives across the film, TV, music, and book industries to go to court, where they can request that internet service providers block access to websites with pirated content.

    It helped hatch the Stop Online Piracy Act (SOPA) in 2012, which would’ve restricted access to websites containing pirated content.

    In a statement provided to The Verge, Katharine Trendacosta, a director of policy and advocacy at the Electronic Frontier Foundation, says it’s “fundamentally wrong for the MPA to claim to take the 1st amendment seriously in one breath and threaten the expression of so many others in the next.”


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79 comments