![](https://pyxis.nymag.com/v1/imgs/8ed/64f/04ebff851cc14f3650c7cc44d112fdaaff-guardians-we3.1x.rsocial.w1200.jpg?format=webp&thumbnail=128)
Guardians of the Galaxy director James Gunn always wanted to adapt the comic We3. Turns out it’s a skeleton key to understanding Vol. 3.
![Guardians of the Galaxy Vol. 3 Is the We3 Adaptation James Gunn Never Made](https://pyxis.nymag.com/v1/imgs/8ed/64f/04ebff851cc14f3650c7cc44d112fdaaff-guardians-we3.1x.rsocial.w1200.jpg?format=webp)
Consistently the #2 British comics writer, the Scot brings in influences from art to magick to conspiracy theories.
Pronouns: they/them
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Guardians of the Galaxy Vol. 3 is the We3 adaptation James Gunn never made
Guardians of the Galaxy director James Gunn always wanted to adapt the comic We3. Turns out it’s a skeleton key to understanding Vol. 3.
Almost a decade ago, James Gunn expressed an interest in making a movie based on a comic book about adorable little animals who were experimented on and tortured. This weekend, Gunn released Guardians of the Galaxy Vol. 3, which features adorable little animals who were experimented on and tortured. But back in 2014, Gunn wasn’t talking about Rocket Raccoon and the other critter victims of the MCU’s latest supervillain, the High Evolutionary. Instead, Gunn was talking about a three-issue series from 2004 called We3.
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A few months after the first Guardians of the Galaxy movie came out, Gunn told Morrison via Interview Magazine that We3 was his “favorite short-form comic series, ever,” and that he cries every time he reads it. He also said that Don Murphy, producer of Natural Born Killers and the first two Transformers, kept encouraging him to adapt it into a movie. A year later, Gunn once again expressed his interest in making a We3 movie, writing in a Facebook Q&A that the t
The New Adventures of Hitler : Grant Morrison,Steve Yeowell
A comic from the British magazine cut
Assuming you choose to believe Adolf Hitler's sister-in-law, then apparently the Fuhrer really did live in Liverpool between 1912 and 1913, staying with his half-brother Alois and family in an attempt to avoid conscription. Comics writer Grant Morrison took that basic premise and ran wild with it, producing a 48-page fantasia on Hitler's life that he gave to regular collaborator Steve Yeowell to draw. In 1989 it was serialised in a Scottish magazine called Cut, where it incurred the wrath of co-editor and Hue and Cry vocalist Pat Kane, who insisted the comic promoted fascism. The following year it had a UK-wide outing in Crisis, the lefty adult spinoff from 2000AD, only for the controversy to crank up all over again with accusations of Morrison actually being a Nazi. In the subsequent decade and a half, all attempts to republish the strip have failed, and these days Yeowell suspects that the original colour artwork doesn't even exist any more.
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Yeowell's black and white dr
Universe B - The Unpublished Grant Morrison
A trawl through the world of What Might Have Been. An examination of Grant Morrison's announced, hinted at or otherwise mentioned works that, for one reason of another, never saw the light of day; from small press British indies at the very beginning of his career to multiple-title spanning
A trawl through the world of What Might Have Been.
An examination of Grant Morrison's announced, hinted at or otherwise mentioned works that, for one reason of another, never saw the light of day; from small press British indies at the very beginning of his career to multiple-title spanning blockbuster summer crossovers.
Most of the info in this section comes from Morrison's own comments in contemporary interviews, though a few facts are gleaned from his collaborators in these unrealised projects. I'll be actively seeking more information on all of these unseen titles and adding to the pages as and when I find it, so if you can help with anything get in touch here.