I rather like how inclusive he's being with his hate. "Trouble" made me laugh, looking out for the under-hated groups.
Bro literally started a song with “fuck blind people, and deaf people suck”
Yeah, I walk around more confused than my aunt Linda's man-friend A black transgender Klan member (What?) Who's a Caitlyn Jenner fan and a (What?) Member of Grindr and Tinder Head empty as an empty abandoned a— (Yeah) 'Partment while I'm dancing a— 'Round all these names and labels that I can't memo— (What the fuck?) 'Rize, now my antennaes Are up on this PC shit, I'm finna Go out on my shield like Captain A— (What?) 'Merica, transcender:::given what hes said for years about caitlyn jenner and pronouns, and the shit he says on antichrist im not gonna pretend this shit isnt just transphobic. these statements dont stop at a sexual preference. he is too uncomfortable about having preferred pronouns to wrap his head around it, and thinks queer people are the ones who are confused. the whole album makes fun of little people, mentally and physically handicapped people, and genuinely half the songs mention trans people. Rent free. Most milk toast right wing opinion, this isnt brave art, hes just a shitty dude.
In the album context this reads like Shady narrative, not "Eminem/Marshall", but yeah, it was kinda weird to listen to before "Guilty Conscience" kind of put this in some artistic "alter-ego" context. The aftertaste remained, though. Reminded me how South Park re-branded Cartman for a while. I guess this is what a lot of 90s/2000s art & humor that leaned on ignorant shock humor has gone through to adapt. That wave died a natural death (or got killed (?) like Slim Shady by Eminem on this album, supposedly). Limp Bizkit comes to mind as well.
this album has a feature that deadnames caitlyn jenner, an "artistic alter ego" is the same artist and what the songs platform is clear. its not parody, its not punching out equally, its hateful and intentionally ignorant for the sake of it. the album is obsessed with pronouns and trans people, not just the slim portions
This is just my theory, but I think this order is also meant to communicate a message, a kinda "anybody you look up to can turn out to be like this", what makes it cool, I think, is that it works whether you believe he is a hateful fuck or not after the alter ego "reveal". (Altho it is called "the death of slim shady" so the idea is kinda of there from the beginning.
I also think not everyone listens to the full album in order (which one could say is the intended experience by the artist, there is a narrative after all), so without the extra context, it is understandably much harder to believe that this is not Marshall rapping, but Slim Shady
There's a reason the album is called the death of slim shady. Listen to the whole thing to get the point.
thinks queer people are the ones who are confused
Not a native English speaker, so I might be completely wrong, but doesn't the word 'queer' litteraly mean 'confused' / 'weird'? Not that it makes a difference in this context, I'm just wondering
queer does mean odd, not confused. it is a reclaimed term used to describe lgbt+ people as a catchall.
Milquetoast?
🍼🍞
But isn't Slim doing the "I'm all for em, BUT..." thing and then goes on to say some fucked up shit iirc? As far as I've listened this album is about Em's conflict with Slim where Slim is an absolute asshole stuck in early 2000s. But I've only listened like twice and probably won't again.
It’s a concept album where Marshall is battling with Shady. Theres a lot of fucked up shit, but the idea behind it is that it’s a fucked up character saying it, much like Cartman in South Park (which he directly talks about on the album), but he directly acknowledges that this character/version of him is fucked up.
In this particular case however, he basically just says “I support trans rights, I’m just not sexually attracted to trans women” in a very crass way, as is his style
