So watching my nephew play apple arcade games on his tv has been harrowing.
So watching my nephew play apple arcade games on his tv has been harrowing.
The spongebob game wasnt so bad. It had like a login bonus but it didnt seem to be too bad But once we got into the lego star wars game the f2p bullshit started. And oh god. This game clearly designed for kids had all the f2p bullshit. Login bonuses. Gridnyness. Multiple in game currencies. The daily/weekly ect missions. The unlockables
But god the racing game was even worse. 100000 things to unlock and basically nothing is by default basically. Sooooooooooo absurdly grindy. And most harrowing of all... i swear to god... 5 seperate in game currencies.
I want to reach out and scream to him "games werent always like this maaaaan"
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The writing went over most peoples heads I think. It even went over my head during the mid game, I thought it was really boring and didn't play it for years. Then I got back into it and suddenly it all made sense and became a lot more interesting after I got through the mid game.
spoiler
Action for action's sake and murderous contempt for the feminine, just like the Italian futurists that preceded contemporary fascism, then
Also that happens in the game again when Helis orders the genocide of the matriarchical Nora tribe before capturing Aloy, even after capturing Aloy he still wants to carry out the violence and conveniently can't stop it with the crashing of the focus network
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Yeah the pacing of Act 2 in a three act story is probably one of the most difficult things to do as a writer or creative. I certainly couldn't do it. Though sometimes the audience just has to continue on with the story and it will all make sense. But how to get them to do that is very challenging.
I also updated my previous comment after noticing an interesting thing in Horizon to do with what you mentioned about Italian futurists prediction of fascism
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Second/middle acts tend to be a hard sell in most stories, I noticed, with a few exceptions where for some reason the second/middle act is considered the high point, like in the first three Star Wars movies for most people.
For a very funny and jokerfying example of this in gaming, most people consider 2009s "Call Of Duty Modern Warfare 2" to be the peak of the original Modern Warfare trilogy. And I have to say that I agree with them lol. As cheesy as those games were, MW2 probably has the best story of the three.
I never played Halo because I didn't have an Xbox, but yeah I'm glad that the people who finished your book trilogy enjoyed the ending. That's a good sign.
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I admit that sometimes I wish I started with the second book and somehow crammed in some "so you might be wondering how I wound up here piloting a mecha while fighting billionaires" record-scratch exposition after the fact.
There are some trilogies where the final part is basically a prequel to the first two parts, it's a narrative device that can work well in certain contexts. The Ace Combat trilogy on the PlayStation 2 does this, the final game in the trilogy is titled "Zero" and explains how the game world ended up the way it did. Just don't go around making an entire prequel trilogy to explain the previous trilogy (Star Wars... )
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I think I hated Halo's lack of satisfactory story resolution and the absence of an actual meaningful conclusion enough that I went out of my way to wrap up my own story series with great care.
Lol im just going to go on writing my massive scope final fantasy/gambo/shonen hybrid kinetic novel series that closes individual arcs but technically doesnt "end" because thats whats fun for me.
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LOST is a show that I stick up for even if I hate the Mystery Box shit in totality, since Abrahams only had his hand in the first season anyway. The thing is, most of the mystery stuff is wrapped up, its just not spelled out for the viewer explicitly. You can logic your way to most of the answers.
But also always saw LOST more as a character drama than a mystery show, and thought the ending wrapped up the characters arcs decently with a few exceptions (Sayid's ending is ass, Shannon being his one true love and not Nadia is completely bonkers, but anyway).
I wont argue post season 4 gambo being a mess obviously. I cant personally report on HOTD. '
As for origin stories. I will give the MCU credit on one front here, the fact that they decided to forgo that route with MCU Spidey entirely (or was that Sony's decision who knows). Because they were like "ok everyone knows the Uncle Ben stuff now, fuck that, lets not even show the guy". And yet some fans were actually mad at that lol. That being said it seems like the new Fantastic Four is an origin story so the lesson didnt stick.
But yeah Im just going to be pretty open with my readers that this story is going to take awhile and be more like One Piece or DC/Marvel comics shared universes and that they should just have fun with the ride. Character arcs will close, individual adventure and political arcs will close, mysteries will be solved, but theres always going to be something else going on. Or at least the scope is going to be so big that if it gets popular enough some other poor sap is going to have to put my notes together to continue/finish it lol. Like it could in theory end I just... havent gotten there yet in my preplanning yaknow? Sort of like how Oda has outright admitted he doesnt know what the One Piece actually is yet. (actually most of the core mystery arcs are in fact preplanned endings?
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Honestly like. I think LOST is just one of those times where the half of the fanbase that didnt like the conclusion is just... wrong lol. Its not really homework to figure out the mysteries. IN this case, its the ones who want the reason why the bird screamed "Hurley" spelled out for them step by step that come off as the wrong ones to me. But thats just my taste. Im open to the idea that someone who was in it for the mystery could feel unsatisfied. I just dont get it.
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