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Music Production @lemmy.studio

E-Book “Making Ambient Music With Cherry Audio Synths (and Effects)”

Music Students :) @lemm.ee

E-Book “Making Ambient Music With Cherry Audio Synths (and Effects)”

Music Production @sh.itjust.works

E-Book “Making Ambient Music With Cherry Audio Synths (and Effects)”

Musicians @lemmy.ml

Adventures of a Sound Designer – true incidents inside and outside the studio

Music Students :) @lemm.ee

Adventures of a Sound Designer – true incidents inside and outside the studio

Music and audio production @lemmy.ml

Adventures of a Sound Designer – true incidents inside and outside the studio

Music Production @lemmy.studio

Adventures of a Sound Designer – true incidents inside and outside the studio

Music Production @sh.itjust.works

Adventures of a Sound Designer – true incidents inside and outside the studio

Musicians @lemmy.ml

New Concepts For Music And Sound

Music Students :) @lemm.ee

New Concepts For Music And Sound

Music Production @sh.itjust.works

New Concepts For Music And Sound

Musicians @lemmy.ml

Thoughts On Generative Music

Music Students :) @lemm.ee

Thoughts On Generative Music

Music and audio production @lemmy.ml

Thoughts On Generative Music

Music Production @lemmy.studio

Thoughts On Generative Music

Music Production @sh.itjust.works

Thoughts On Generative Music

Musicians @lemmy.ml

How it all started – the Cradles of Electronic Music

The Music Makers of Lemmy @lemmy.ca

How it all started – the Cradles of Electronic Music

Music Students :) @lemm.ee

How it all started – the Cradles of Electronic Music

Music Production @lemmy.studio

How it all started – the Cradles of Electronic Music

  • Yes, it was indeed Satie who coined certain pieces of his work "furniture music". I personally don´t like it that much, but it´s of course historically important as one of the "forefathers" of ambient - whatever is understood under this term nowadays, as Eno once said: "I don´t even recognize ambient music any more." From the view of a composer the idea of being "as ignorable as it is interesting" (Brian Eno) is a challenge of course. I´m currently working on a couple of ambient pieces, and I have to take care a lot not to miss this thin line between ignorability and interesting. Cheers and peace! Rolf

  • I´m really deep in VCV Rack . I´ve even written a whole e-book trilogy about making generative music with VCV Rack. I think it´s the most versatile modular synth software out there (perhaps together with Cherry Audio´s Voltage Modular - which is not freeware though). Some modules are a bit poorly documented, but all in all it´s a marvelous way into modular synthesis. I recommend anyone who starts working with VCV Rack to limit oneself to only a few basic modules, doing a long time experimenting with these few modules, and only then step by step expanding the system. There is a big danger to drown oneself in the plethora of available modules without really learning what each of them is able to do. Cheers and peace! Rolf Ah, by the way, there´s free e-book about the matter, which may help quite a lot: https://www.dropbox.com/scl/fo/nkzlk2vmfop66w8krmyjt/h?rlkey=tg0zkmccil0twpx87z7qn7826&dl=0