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Punk Rock @lemmy.ca thystifi @lemmy.ca

Favourite Album Poll + Intro to [Sunday Album Club]

Thought I'd mix it up a little this weekend, starting off with a favourite punk album of all time poll. Post your vote in the comments below (bonus points if you also link to a bandcamp or youtube copy so everyone can give a listen). I won't count upvoting already posted albums, since people might just be agreeing that that is a good album, but they might have a separate favourite.

One comment = one vote.

We also had a great suggestions from @harsh3466@lemmy.world over in the intro post, so this best of list is going to form the basis of the first edition of Album Club. I figure I'll pick some of the less popular favourite album suggestions to kick off our first few rounds. I'm going to start it off as a bi-weekly and see how it goes, so next Sunday I'll announce the first album and give everyone two weeks to have a listen.

I'll keep this post updated with the totals as we move through the week. Let me know if there's anything else you'd like to see in the sub!

Punk_Rock's Favourite Albums of All Time:

6
6 comments

  • The Adverts - Crossing the Red Sea with the Adverts (1978)

    I always have a hard time with favourites. It depends so much on mood or day of the week, and I could probably come up with at least a couple for every genre and sub-genre. However, the Adverts debut full length has always been near the top, ever since I first heard it in my early teenage years.

    Since I'm not going to vote for my own pick for our first Album Club, I'll just throw my thoughts on the release in this first post here. Sort of a preview of the type of thing I'm hoping the album club threads will contain I guess.

    1978 was an interesting year. The Sex Pistols abrasive angst kept going strong with bands like X-Ray Spex, Billy Idol was practicing his radio friendly pop in Generation X, and the Clash put out what might be my least favourite of their albums in Give em Enough Rope.

    At the time, something about those original 11 tracks on Crossing the Red Sea, just seemed different. Better written, more poetic, deeper or something. Tracks like Safety in Numbers were already getting bored with the state of the current UK punk scene, as it started morphing into something different. Tracks like No Time to be 21, though nothing super original conceptually, just seemed to hit different. And of course they had a few of their previously released standard singles like One Chord Wonders.

    Start to finish I think this is a solid album, and it's still in the regular rotation today. I've sadly never owned an original pressing, but finally picked up the 2011 gatefold reissue earlier this spring, which must be my 4 or 5th copy of this album over the years.

    • As far as traditional '77 style punk rock is concerned, you can't go wrong with this one. Super solid songcraft that still holds up!

  • Turns out Sunday Album Club #1 won't go out until Monday night, since I'm out of town/away from the internet this weekend.

  • Hate me all you want, but Americana is banger after banger.

  • Way too many favorites to pick a definite one really, but i'm just gonna go with Mush by Leatherface for the raw emotional pull it still has on me to this day.
    https://leatherfacemusic.bandcamp.com/album/mush-2

    Among the closest contenders for me would be these:
    Wire - Pink Flag
    Big Black - Atomizer
    Wipers - Is This Real?
    Mission Of Burma - Vs.
    Fugazi - The Argument
    Hüsker Dü - Zen Arcade
    Radio Birdman - Radios Appear
    The Ruts - The Crack
    Television - Marquee Moon
    ... plus a ton of shit i'm sure i'm forgetting right now.

    Just to sprinkle in something contemporary, ill also mention Härvest by Poison Ruïn.

    • Do you ever have those bands, where the name floats around forever, but for some reason you never actually get around to listening to them? Leatherface is one of those bands. This is the first time I've listened to an album start to finish, and it's really good! Don't know why it took me so long.

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