"...journalist Liz Pelly has conducted an in-depth investigation, and published her findings in Harper’s—they are part of her forthcoming book Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist.
...
"Now she writes:
'What I uncovered was an elaborate internal program. Spotify, I discovered, not only has partnerships with a web of production companies, which, as one former employee put it, provide Spotify with “music we benefited from financially,” but also a team of employees working to seed these tracks on playlists across the platform. In doing so, they are effectively working to grow the percentage of total streams of music that is cheaper for the platform.'
In other words, Spotify has gone to war against musicians and record labels."
It was started in Sweden where its operations are still based, but it's headquartered in Luxembourg and it chose to IPO on the New York Stock Exchange.
Luxembourg screams "tax efficiency" to me, so their list of pre-IPO investors must be quite the thing.
I disagree, I live in Scandinavia in one of the best democracies in the world.
EU is mostly OK IMO. Democracy can never be perfect, because it's about compromises. But without the compromises you'll have a real dystopia.
But here is just about as good as it gets at our current level of development.
So get real why don't you?
Sure they have it better than most of oecd but the corporate take over is underway, they botched the immigration policy which resulted with serious crime rates...
A tiny foil wearing person would think that this was done on purpose to undo Swedish strong socio economic policy
Time will tell but the trend for Sweden is not looking good same way as other countries...
OK before you claimed it had already happened stating: "All western regimes sold out us out, mate" .
Now you claim it WILL happen: "the corporate take over is underway".
That's called moving the goal post, and is a VERY dishonest way to argue a point.
You are either confused or dishonest.
It's normal if you accept it. You do not have to accept it. There's also a good chance that it's illegal in Spotify's case, if not in the US then likely in Europe.
I suppose you could argue that Spotify can abuse its position in the same way that Walmart bullies its suppliers and Microsoft freezes out competition, but it doesn't sound like that's what's happening here. Like I said, it sounds like they're just preferring cheaper sources.
But they aren't just preferring cheaper sources, they're funding production houses that crank out music cheaper than it would cost to pay a single artist, and then putting that "mass" produced music on playlists that they themselves promote, allll to avoid promoting actual artists and paying them potentially more than they're paying the production house.
It's in terribly bad faith because I myself am an artist that distributes through Spotify, not only because I can reach the widest audience, but I'm hoping on some level Spotify is promoting my new music to people outside of my own purview. But they aren't. They're flooding the market with cheap music and only promoting it.
Prior to spotify, people bought songs or albums, and were locked into their favorites or pirated music, which obviously contributed nothing to artist's pockets.
Spotify is not the evil entity here, in my opinion. Record labels are.
There are literally musicians with Only fans accounts because Spotify makes then such a pathetic amount of money. Every single artist I've ever seen comment on Spotify who hasn't been amongst the most popular bands in their genre for decades have always said that Spotify is absolutely awful for artists.
Albums/singles traditionally weren't money makers, merch and concerts were. Nobody is saying record labels weren't and aren't shitty, but believe it or not it's possible for both of them to be shitty at the same time.
A couple of years ago we reached the tipping point where artist are paying more for Spotify to promote their music than Spotify is paying the artists. Spotify is more evil than even the record companies at this point.
Streaming only reduced piracy because it presented a more convenient option. This formula has already changed with their predatory behavior.
The reason artist create has little to do with money. It was never about that and those that think it make shitty music and are owned by corporations.
Technology has set us free from corporate control, but we have to shun commercial platforms. We will never be free running to the wide open arms of business ready to fleece us and lock up our culture behind their pay walls.
Enshitification is here for every corporate platform. There is no escape. The days are 0% interest aka free money are now long gone.
IANAL but it seems akin to the antitrust case against Microsoft for bundling their own web browser in with Windows or movie studios also owning theaters and giving preferential treatment to their own films.
I'm just surprised that anyone didn't assume this was happening. If most people are using playlists generated by Spotify, how are they not expecting Spotify to choose songs that are also in their interest? Furthermore, how would this be different from the practices of a radio station? Seems like manufactured outrage to me.