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  • Older games are better than a lot of modern AAA slop, but not for the reasons she describes.

    I was hoping she would talk about game design, or writing, mechanics, player agency, gameplay before graphics or literally anything else but she spent nearly 15 minutes only talking about tired culture wars talking points like, "why don't women look feminine aymore," "why are characters designed for diversity/inclusion first before story," "Concord sucks lol."

    Yeah AAA writing is shit, please change the record so all the sweaty neckbeard virgins complaining about Aloy's facial hair can crawl back in their caves. So sick of hearing about it.

    She shouts out Asmongold in her comments. Disgraceful.

    • Agreed with your reasons, but she made points I have never heard about that I found interesting, like disappearing of some femininity aspects to awkwardly try to avoid sexism accusations. I wanted to share a point of view that I think is rarely shared in gaming communities.
      I don't follow YouTube drama much, so I don't know who Asmongold is.

      The reason I ended up there is because I recently started playing Oblivion, and saw her videos mentioned.

      • she made points I have never heard about that I found interesting, like disappearing of some femininity aspects to awkwardly try to avoid sexism accusations.

        These are very common talking points of gamer gate bigots. It's a giant red flag, because the people who talk about it are bigots

      • disappearing of some femininity aspects

        Can you describe some of those aspects that have been disappearing?

    • talking points like, "why don't women look feminine aymore," "why are characters designed for diversity/inclusion first before story," "Concord sucks lol."

      They're fair observations. Convergent, homogenous graphic design plagues big-budget game production.

      Ubi is the sort of mob that could put out a title set in Georgian England and offer a cast that includes among others a queer green-haired ship's captain, a Chinese bailiff and a Rastafarian archbishop. There's a place for getting whimsical with character creation, but done often enough (and across so many genres), it becomes self-satirizing.

57 comments