The trailer for the slasher movie was released as the cartoon character entered the public domain.
It's Mickey, but not as you've ever seen him before.
A trailer for a slasher film, featuring a masked killer dressed as Mickey Mouse, was released on 1 January, the day that Disney's copyright on the earliest versions of the cartoon character expired in the US.
"We wanted the polar opposite of what exists," the movie's producer said.
A new Mickey-inspired horror game, showing the rodent covered with blood stains, also dropped on the same day.
Steamboat Willie, a 1928 short film featuring early non-speaking versions of Mickey and Minnie, entered the public domain in the US on New Year's Day.
It means cartoonists, novelists and filmmakers can now rework and use the earliest versions of Mickey and Minnie.
I don't mind a good example being made of this. The original creator(s) are long dead and gone. All the current copyright laws do are prevent innovation and protect money flow of large corporations in my opinion. Is was originally so individuals who came up with new great ideas could reap the rewards of that idea. No longer is that the case.
"The Copyright Act of 1790 was the first statute in the United States to identify definite provisions of copyright law and permitted authors the right to their intellectual property for a duration of 14 years. Today, depending on the type of work, copyright terms can reach up to 120 years. Historically, Disney has been exceedingly protective of their intellectual property and is a prominent supporter and lobbyist for copyright term extension (Bernaski, 2014). Disney's involvement in copyright term extension originates from their goal to prevent their copyrights from entering the public domain, specifically their Mickey Mouse character."
I say make a good example of them. The creator should benifit from their creations, but ideas should not be stifled for generations to accomplish that.
Disclaimer: I have not read my source, shame on me if it is counter to my opinion. But corporations are not people, I don't care what the SC says.
Oh I don't disagree. I think the standard for most of the 20th century- 19 years with an option to renew for another 19, made a lot more sense. I just don't praise these companies seeing dollar signs because they can capitalize off of a popular work becoming public domain almost the minute it enters the public domain either.
Just because Disney could lobby to make copyright law insanely long doesn't mean they should have. It wouldn't have been s big event if Disney didn't make it one.
I'm not talking about copyright law, and if you read a tiny bit further down, you would see that I talked multiple times about the problem with modern copyright law and Disney's part in it.
Shitty copyright law doesn't mean we have to have shitty movies and shitty video games.
Absolutely fuck Disney, but Disney got fucked (from their perspective) by copyright law, not this movie. Maybe you could say the movie thumbs its nose at Disney, but the "damage" has already been done because Steamboat Willie is already public domain. Now should be the time for people to look for interesting things to do with the material. Instead, we're getting whatever this is.
Just like how people are more likely to want to stay standing up after having to sit for 8 hours for work/school.
There's a social rubberbanding effect, just gotta get it out of our collective system so the tension is released, and then better content will come after that release.
If it's the character thats the face of the organization that is the reason copyright law has been strengthened and enforced with iron rulings, then yes it damn well should happen. Disney is simply reaping what they sewed and they earend every last bit of it and more.
Fuck Disney, Fuck Copyright laws and all of that, but there has got to be something more interesting to do with Mickey than a schlocky horror movie with a budget of two paper clips and a pack of gum
I watched it. I was actually kind of excited. I enjoy cheesy horror movies. Including ones that know what they are. Movies like Skinamarink are amazing works of art, and i love it, but Llamageddon was a movie to watch with friends, have a few beers and a frozen pizza.
But I feel like when people make these movies, it's a really fine line to walk, where it can easily just become bad. The Winnie the Pooh one unfortunate just missed the mark. It was just bad. Not the worst, but I don't see myself watching it again.
If they really want to make a good movie with some decisive social commentary it should be about mickey enslaved by a "nameless" corporation (because of course everything else is copyrighted and trademarked still) and escaping. Would make an interesting thriller, there's a lot that could be done to criticize copyright and the companies that abuse the system and their labor force.
Someone make this please, the idea is free (and so is the character)
It's so edgy. At first you're like "Hey that's Mickey Mouse! I know him!" And then he's doing horrible things and you're like "wait a minute - Mickey Mouse wouldn't kill people!"
Note that Mickey Mouse himself is most definitely trademarked and protected via IP laws. The
mouse himself may still also be copyrighted (I haven’t bothered to look)
Creating derivative works is still most certainly illegal.
tl;dr you can freely share Steamboat Willie, but you should not try to create your own Mickey Mouse shows since Disney has no issue bankrupting you in a copyright/trademark lawsuit.
A trailer for a slasher film, featuring a masked killer dressed as Mickey Mouse, was released on 1 January, the day that Disney’s copyright on the earliest versions of the cartoon character expired in the US. A new Mickey-inspired horror game, showing the rodent covered with blood stains, also dropped on the same day. Steamboat Willie, a 1928 short film featuring early non-speaking versions of Mickey and Minnie, entered the public domain in the US on New Year’s Day. It means cartoonists, novelists and filmmakers can now rework and use the earliest versions of Mickey and Minnie. It’s Mickey, but not as you’ve ever seen him before. TV-MA, 47 mins