I'm talking about a fan theory, that if true doesn't drastically upend the fundamentals of the fiction it is set in.
Mine is that in the American Dad episode 'Can I Be Frank With You', that Snot's uncle is actually just another Roger persona. He appears suddenly and conveniently to pitch a bizarre scheme, he loves hanging around with teen boys and doing drugs, and the very instant that the plan has a setback he kills himself out of sight of everyone else. That's just Roger in a suit and glasses.
Edit: Ok, so, people are having trouble with the word "inconsequential".
Throughout the Solo movie, Han tries to thread the needle multiple times and fails. In the end of the movie he finally succeeds but only after plugging Lando's robo girlfriend's brain into the Falcon. After that point they never suggest that they remove her from it. They never need an astromech to calculate jumps again and almost every single person that pilots the Falcon threads the needle at least once, including ray who has literally never flown before when she does it.
Han isn't the pilot. He's the captain of a ghost ship. Every mistake he's made since then has been expertly corrected by the ship itself, now given a mind and one of the longest running navigation databases in the galaxy.
In the Wizard of Oz, Glenda the "Good" Witch is actually a ruthless drug kingpin.
She used her magic powers to summon a tornado and then merks the Wicked Witch of the East with Dorothy's house. She then puts WWotE's shoes on Dorothy in order to make her a target for WWotE's sister, the Wicked Witch of the West. Glenda then uses Dorothy as a stooge to bump off WWotW, thereby putting herself in control of Oz's vast fields of opium poppies, and cornering the entire opium trade.
It doesn't make sense any other way. Glenda could have told Dorothy to use the ruby slippers to get home at literally any point, but instead sends her on a wild goose chase, and uses her as a blunt instrument to take out the only other bases of power remaining in Oz: the WWotW, and the Wizard, who Dorothy exposes as a fraud. Only then does she tell Dorothy to click her heels, and poof: everything is all wrapped up with a bow, and Glenda's hands are clean. Her two main rivals are dead, and the Wizard is fleeing Oz in disgrace.
It was mentioned on the Kill James Bond podcast; The James Bond character continuum.
The reason why James Bond looks different over the years is because James Bond is a position and not a person. Multiple agents have held this position. When one is killed or captured, another agent takes over.
So, where did the different agents end up?
Well, JB by Sean Connery was imprisoned in the US for his many crimes, rape included.
Lazenby quit after his wife was murdered.
Roger Moore, I don't remember. Killed by Dolph Lundgren, probably.
Timothy Dalton, don't remember.
Pierce Brosnan was captured by North Korea.
And here are the implications: Sean Connerys James Bond was imprisoned on Alcatraz, and his later life is depicted in the movie The Rock.
Pierce Brosnan is still in an NK cell, deprived of any social contact, tortured, 99% PTSD by what little remains of his body weight. As a coping strategy he has escaped into a fantasy world of his own making. And from this we get the movie Mamma Mia.
This is my favorite fan theory, originally created by the Four Finger Discount people, I'm told, but I can't find it on their site:
In Simpsons episode 9F10, “Marge vs. the Monorail”, the town meeting is interrupted by a mysterious character named Mr. Snrub. It’s a strange scene, because we never actually find out who Snrub is, and he doesn’t show up again in the rest of the episode, or indeed, in the rest of the series. However, I think I might have figured out why: Mr. Snrub is actually Mr. Burns in disguise.
I know it sounds implausible, but here is my reasoning:
Notice that “Snrub” has the same number of letters as “Monty”, Mr. Burns’s first name. Coincidence? Maybe, but there’s more.
Notice how quick Smithers is to agree with Snrub. I think the writers added this line as a subtle hint to the audience that there is some connection between Snrub and Burns. It also explains why Smithers was so willing to help Snrub in his time of need; because Snrub reminds him of Burns in some deep, ineffable way. If you listen closely to Snrub’s voice, it sounds an awful lot like Harry Shearer. Harry Shearer does the voice of many characters on The Simpsons, including Reverend Lovejoy, Seymour Skinner, Ned Flanders, and… Mr Burns. This doesn’t tell use for sure that Snrub is Burns, but it does narrow down the possibilities considerably.
When Snrub stands up to speak, he mentions that he comes from “someplace far away”. The writers of The Simpsons have always said that they consider Springfield to be somewhat flexible in its reality. For example, in one episode, Moe’s Bar is a short walk from the Simpsons’ house, but in the movie, it’s right next to the church. It is quite possible that, for the purpose of this scene, the writers wanted Mr Burns’ home to be “far away” from the Town Hall.
Notice that, in the above scene, when everyone in the Town Hall starts to get angry, Snrub instinctively tents his fingers, not unlike Mr Burns’ signature gesture. Now, to be fair, we occasionally see this gesture done by other characters, such as Homer, Bart, and even Lisa. But, I mean, still.
I will admit that this theory has some flaws. For example:
If Snrub is Burns, how did he grow the moustache so quickly? We saw Burns earlier in the episode dumping nuclear waste in the park, and he didn’t have a moustache then. This could partly be explained by the fact that, strictly speaking, we don’t know how much time has passed between that scene and the scene in the Town Hall. Perhaps this was enough time for Burns to grow the moustache that would disguise him as Snrub?
We all know that Smithers is in love with Burns, and that Burns doesn’t return Smithers’ affection. So, why is Burns so quick to embrace Smithers and hang on to him as they escape the building?
Look at this comparison of Snrub and Burns. They look almost nothing alike. For one thing, notice that Snrub has an extra wrinkle under his left eye. His face also settles into an expression that is open and happy, in contrast with Mr Burns’ scowl. In addition, Snrub has a more prominent overbite, the three liver spots on his head are further apart. I haven’t even gotten started on the colours: Snrub wears a dark blue suit with a black tie, and has light blue hair. Burns, in contrast, wears a teal suit with a pink tie, and has gray hair.
If Burns really was at the Town Hall, then who was running the nuclear plant? The lights are on in the building, which clearly means that the power is working. Snrub’s suggestion is that the city give the two million dollars to the Nuclear Power Plant. Why would Mr. Burns do this, since Burns already knows that the power plant is where the money came from? This leaves us with the possibility that Snrub was just an innocent person who spoke at the town meeting without being fully informed about the background details (hence why everybody was so mad at him for being so ignorant and unprepared).
So, at the end of the day, it’s hard to say who Snrub really is. It’s even more difficult to say why he showed up in only that one scene, and why he never showed up again — perhaps he was a character the writers wanted to introduce to the show, but could never find a good enough story for.
Like many fan theories, it’s probably not true, and I’m probably over-analyzing it, but it’s sure fun to think about!
Sisko was killed in TNG's universe. Sisko survived in DS9's universe due to the prophets saving him. The Trek universe diverged at Wolf 359.
The Dominion War has drastically different outcomes. Existential crisis in one universe where Sisko does a lot of meddling; barely mentioned in the other.
The biggest change to the cast is that Worf marries Jadzia Dax and becomes Ambassador to the Klingon Empire in one universe; in the other universe, he does a brief inconsequential stint at DS9 (without Sisko), never marries, then returns to the Enterprise E as pretty much the same character from TNG, and at some later point, he gets the Enterprise E destroyed.
The Picard timeline is set in the universe where Sisko died at Wolf 359.
The Lion King is an experiment being run by the aliens from Close Encounters of the Third Kind. The music is diegetic and is used to modify behavior.
We know they can implant images and subconscious commands, and that this is perceived through music. That's why they can coordinate musical numbers on the spot, and why sudden changes in behavior and attitude are accompanied by music.
In particular, the most critical character change comes when Simba wanders off to be alone, sees a vision in the sky, and the soundtrack kicks in with an extended version of the alien music from Close Encounters of the Third Kind. Suddenly he's doing a 180 and running back towards his assigned role in the story.
Mine is that in Star Trek, at least all the computers advanced enough to be used on a starship are actually sentient. At some point you have enough self aware hologram programs and rogue AIs that you should start to wonder if they’re actually anomalous.
When drinking with Zefram Cochrane, Deanna Troi had no idea what tequila was. She went to Star Fleet Academy in San Fransisco, and even without warp drive and transporters, that's not far from the major agave growing regions on Earth. Cadets gonna drink whenever they have the chance, and they'll seek out non-synthehol stuff if they can.
Agave isn't being farmed sustainably right now. It could also have been hit hard by Star Trek's WWIII. It's possible agave didn't survive into the 22nd century. Zef may have even been going through the last bottles of it.
I wouldn't call this "inconsequential", but not only is Deckard a Replicant, he's a very specific Replicant.
Gaff (played by Eddie Olmos) was the original officer assigned to hunting down the escaped replicants, before Holden and before Deckard. When the escaped Androids originally tried to storm the Tyrell corporation, one of them got "fried" going through an electric fence. And it was either there, or in another encounter, that Gaff was wounded in the leg, forcing Holden to take over the case, and we know where that ended up...
I posit that the android that got "fried", didn't actually get fried. In concert with the Tyrell corporation, they programmed him with Gaff's memories in order to finish the job, which is why Gaff is chaperoning him, driving him around; to make sure the memory implant holds. It's why Gaff seems to know what he's thinking and can make origami to give him hints. It's why Gaff at the end of the movie says "You've done a man's work". And it's why Gaff is such a dick to him. Imagine chaperoning your artificial replacement around that everyone thinks can do just as good a job as you...
I always watch Blade Runner from that perspective. At least until the sequel came out and ruined it for me.
In Stargate SG-1 — spoilers — the last season they're stuck on the ship stuck in time for a long time. I listened to the director's commentary on it, and the actors themselves talked about how there was supposed to be a Carter and Teal'c romance. You can still see it in some of the looks they give each other and whatnot, but it was cut.
So not "fan theory" as such, but something not usually considered part of the canon but which definitely has credible support for it. (Amanda Tapping, the actor for Samantha Carter was talking about it on the commentary track.)
Doesn't really change much, as all of them but Teal'c forget what happened after the conclusion.
James Bond is actually a time lord. It explains why he changes how he looks every few movies. This is backed up by the fact that Timothy Dalton played a time lord once in Doctor Who.
On the American Dad theory, there is a long-running theory that Roger's ultimate goal is to replace all of humanity. The start of the show is just him, and then "learning" to put on disguises, but he's become more and more people over time, to the point where it is hard for almost everyone (except the Smiths, who he trusts) to know it is him.
It isn't inconsequential, but an interesting theory on whether the finale of American Dad will either be finding out that Roger IS everyone, or if Stan saving Roger actually saved humanity by allowing Roger to see humanity.
So Blade Runner, Alien, and Predator franchises are linked, but I also a believer that the Terminator franchise is linked into the same, shared universe. Obviously Terminator has many different endings depending at which film you look due to timey wimey shenanigans, but if you pick one of the ones that the war is averted (I pick T2 as the sequels are not my favorite), it kinda makes sense. In this universe Dutch is the special forces ace that is picked (probably unknowingly) to be the model for the T800.
Chris Meloni's character in Happy is actually just Stabler. His whole backstory as a disgraced cop is essentially really him (I think they even show a picture of him right out of SVU) but he had to change his name for protection.
Char Aznable's wild shift in character between the end of Zeta and the beginning of Char's Counterattack can be directly pinned on Kamille Bidan's mental crippling at the end of Zeta and Haman Karm's actions in ZZ.
Char, who always had a rather strong protective streak, more or less pinned his hopes on Kamille as a key to the future. Instead he directly experienced the Newtype backlash of Kamille being mentally crippled, and subequently could no longer sense him. This convinced him that humanity was doomed to eternal conflict, unless it was forced to advance.
Still unable to get over his protective streak, Char then manages to extricate Mineva Lao Zabi, the last remaining Zabi and perhaps the only one who he doesn't actually seem to harbor any hatred towards, to Earth. But Haman just creates a double, which she uses to drag Neo Zeon into yet another war for personal power. This convinces Char he cannot trust the future to anyone else, even after protecting the ones he cares about.
Thus, we reach CCA with a Char who is fixedly convinced of both the need for forced human advancement, and that he alone must be that leader.
The one that says the amazing digital circus is an artificial purgatory made by Kinger and that all the characters are people who have killed someone in their past. I just hope it's not like Drawn to Life 2.