The only good thing about it is the subtext of "fuck you" to the film industry. The entire film was made out of spite and that is dripping from the script.
Yea it's definitely a unique vibe to watch a high-budget action film that basically doesn't really want to exist and is chucking a fit about it.
For my money, as a fan of the original (being old enough to see it in the cinemas and experience as essentially my generation's star wars IMO) ... I actually enjoyed watching it once I realised it wasn't really a proper film but some sort of riff on a feeling.
Additionally, I actually appreciated the core in-universe premise of the film, which I think gets forgotten or overshadowed by everything else about the film.
I think at this point, the film industry just makes whatever and as long as people show up to the theatre and party their streaming bills, they get away with it.
From a data perspective, we love reboots and franchising because we all watch em.
There is either a complete abomination of a thing masquerading as a matrix film, or a wonderful bit of protest art mocking the big studios. Which it is depends on your view.
So my ex and I went to the theatres with the intention of having sex during a movie, and we picked out cabin in the woods.
We were the only people there, except for an older guy a couple rows ahead of us.
We started messing around in the beginning, but ended up stopping (kind of) and watching the whole thing. The whole premise was pretty cool, the old gods and shit.
But the matrix?
They should have stopped after the animatrix…
I just watched resurrection for the 2nd time, and holy fuck. The meta shit explaining they made the movie cause it was either them or wb is gonna do it was fuckin stupid. The whole love angle seemed SUPER stretched too…
I almost wonder if it would have been better without any of the original cast.
I also wanna know how much screen time was spent on flashbacks to previous movies.
I can’t wait to ignore abother steaming pile of shit coming out of hollywood.
Trinity and Neo never had any chemistry in any of the movies, so the stories being centered around their unbreakable love always seemed dumb to me. It's just an extra part of the core story that doesn't need to be there at all.
I agree. I love the first matrix movie, but if it has one flaw, it's that cheesy forced love-destiny thing. They were literally acquaintance's prior to that, friend's is pushing it, let alone lovers.
The last movie was the original creator basically trying to sabotage the franchise, as was basically stated in the movie several times, and still, our late stage capitalists demand that nostalgia money from by digging up and raping the honored corpse of a brilliant and completed narrative. They won't get mine.
Still, if the l Cabin in the Woods director has any sense at all, he will attempt a reboot and tell the story through a new lense... if David Zaslav, enemy of art, labor unions, and companies actually providing products/services instead of profit by tax cheats and cheaply made "Reality" garbage lets them.
The android, named B1-66ER, kills its owner, his pets, and a mechanic instructed to deactivate the robot, the first incident of an artificially intelligent machine killing a human. B1-66ER is arrested and put on trial, but justifies the crime as self-defense, stating that it "simply did not want to die".
If they can pull off something like Cabin where it is both making fun of the original concept, while also being a good example of the concept, that would be awesome.
I didn’t even bother watching the last one. Don’t think I’ve ever even met someone who’s seen it either… But hey, apparently it made enough to warrant another movie, so what the fuck do I know?
Close. The latest one is Fast X, which is actually the 11th movie.
I’ve seen the first three or so when they first came out. I don’t really hate the series as such, but loathe the wider cultural impact that it had. For example, it ruined racing video games for quite a while. Everything suddenly needed to have modded rice rockets with underbody lights, driven by annoying dickheads with boring, cliche back stories. It effectively ruined the Need for Speed series.
That was my understanding of it when it first came out. Which is something I’m wholly not interested in as a concept. It’d just retroactively ruin the series for me.
This is a tricky one as there should never have been a fourth film (or third. or second) and I'd have usually just gone "nope" and moved on, but Drew Goddard hasn't put a foot wrong as a director and his writing credits are solid (if we overlook World War Z), so for him to agree to do this suggests he's got a great idea for the franchise. So I am surprised to say, I'm quietly hopeful about this.
If Lana Wachowski is executive producer how does that fit with the hypothesis of the last one being bad on purpose to kill the franchise out of desire to not make matrix movies anymore?
Also that guy Goddard has a okay-ish resume, idk. If they leave the existing plot alone and create new stuff within the universe, it may be not terrible?
But also fuck warner and zaslav, who even believes or trust them on anything anymore? First thing that comes to mind is that this must be a ploy to bundle up resurrection as an ongoing loss and claim a bigger tax break.
There are two entire dialogues in the last movie that explicitly say they didn't want to remake it, and don't like the style of the time now. It's really odd to hear another one is coming.
I hope every actor returns, and they all half-ass it as hard as they can. I hope the whole cast does the movie sarcastically.
I hope every subsequent film from this idiot robot studio in this zombie franchise is sillier and more self-sabotaging than the last, and they keep cranking them out anyway. Let the whole thing descend into SCP cursed-VHS-tape levels of self-aware vicious condemnation. The Matrix 6 has Slavoj Zizek, as himself, explain to Agent Smith's ghost why he's an asshole, and Hugo Weaving just sits there, stone-faced, in a silly hat. The Matrix 7 is mostly Lana and whatsherface dunking on conservative bigots with an in-character Greek chorus. The Matrix 8 has Will Smith as Neo opposite Laurence Fishburne doing a Sean Connery impression, but it's all a joke at Will Smith's expense, and apparently he's into that. The Matrix 9 brings back Joey Pants for a stealth remake of Memento that's mostly satirizing later Christopher Nolan. The Matrix 10 is a stoner comedy. The Matrix 11 is animated, so that David Zaslov will erase it from existence, and the series can finally die.
Letting Alex Winters do set design or cinematography for any of these would be genuinely fantastic. Some upgraded Agent interrupts a conversation and Neo slaps him in clean in half lengthwise. Pan left, smack, schlorp, pan right. Barely an inconvenience. 30 frames. The machines can't be bothered forming a big floating head, so Keanu has a pivotal debate with three flathead screws forming a minimalist face on a square inch of floor. The Oracle is now a life-size claymation figure and absolutely nobody mentions it.
Matrix resurrection is a masterpiece and I loved it so much. Subtext of the film is they were always going to make another to chase a dollar. That'll always be true