I mean, I know Fallout's social commentary and heavy-handed attempts at poignancy is pretty on the nose in terms of the desolate mid-century american wasteland practically screaming at you "THIS IDEOLOGY AND LIFESTYLE LEADS TO DEATH AND ANNIHILATION", but I'd say that Fallout is as much as celebration of 50s/60s americana as it is a critique of it. Like, yes, it's literally post-apocalyptic, but its making constant adoring allusions to sci-fi drive-in B movies, midcentury pop culture, and pulp fiction. There's a real unironic love and appreciation for that era of America on display in Fallout, much to my chagrin, even as someone who can deeply share that cultural reverence. Sometimes I feel like it goes down the "wow wasn't the 60s cool and wacky?!" route a little bit too much at times, especially these days. Its like, yeah, but if you're not further deconstructing it in some way or using it to make an interesting point, it feels a little hollow. Fallout is at its best (in my view) when it's able to perform as a simultaneous celebration and deconstruction of Americana. I think it disarms people who might not be willing to accept a critique of America otherwise.
Celeste - a platformer which gives gender-confused people unrealistic power fantasies (such as the ability to double jump, which they do not naturally possess).
You cannot convince me that this wasn't written by an infiltrator
Think about the phrase "fully automated luxury Communism" in the context of "speedrunning" and I strongly suspect that things will start to 'click' in your mind.
If you're one of the nerds who bother to dive into the quasi-ARG metaplot, it does drive home the point that God is the bad guy and that Lucifer literally did nothing wrong in this universe.
Conservapedia regularly has stuff I can only assume are jokes. Like there's a review of American Psycho on there that says something like "despite the patriotic title, this movie is very liberal"